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The Chamber of Commerce named Willow Street Wood-Fired Pizza its 2013 business of the year. Los Gatos Meats & Smokehouse co-owner John Chiala was named the businessperson of the year. Van Meter Elementary School kids, parents and teachers said good-bye to principal Rosanne Adona, who retired after 18 years at the school. By the time summer officially arrived on the calendar, summer activities were in full swing in Los Gatos. Mid-June saw the kickoff of the annual Music in the Park and Jazz on the Plazz summer concert series.
TheatreWorks, “Marry Me A Little.” By Stephen Sondheim, Through June 29, Directed by TheatreWorks Artistic Director Robert Kelley, Featuring Sharon Rietkerk and A.J, Shively, Mountain View Center for the Performing Arts, 500 Castro St., Mountain View, $19-$73, theatreworks.org or 650-463-1960, We Players, “Macbeth.” By William Shakespeare, Through June 29, Fort Point, at the south anchorage of the Golden Gate Bridge, at the end of Marine Drive on wedding ballet flats shoes with bow in blush pink lace custom ballet slippers the Presidio of San Francisco, $45-$75, www.weplayers.org/upcoming..
“I look at it like an actor,” he said. “You could be a great actor and be in good films for 10 or 20 years. But then you’re Jeff Bridges and you get ‘Crazy Heart,’ and all of a sudden everyone says, ‘This guy’s good — we like this guy!'”. He comes by the acting metaphor honestly. The son of “Growing Pains” star Alan Thicke and singer-actress Gloria Loring, Robin Thicke grew up surrounded by powerful Hollywood types, which is one reason expectations ran high for his ambitious, eclectic 2003 debut, “A Beautiful World.” (Another reason was the songwriting work he’d already done by that point for stars such as Brandy, Christina Aguilera and Jordan Knight of New Kids on the Block.).
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Whelan is known as a dancer who likes to push herself, and she came to embody the quintessential late 20th century American ballerina — boyishly built but ultra-feminine, as leggy and fiercely determined as a Kentucky thoroughbred but as weightless and ethereal as a will-o’-the-wisp. While she wasn’t a ballerina who looked good in every dance on the program, she was a ballerina willing to try everything. That was who arrived on stage Thursday with her first partner, the tall and earnest Cerrudo, who was Hubbard Street Dance Chicago’s first resident choreographer. His classical forms in “Ego et Tu” (2013) quickly melted into shapes echoing the gooey undulations of Batsheva Dance Company, but the risk and deep impulse that Batsheva communicates were missing.